Notes

Susanna Fournier and ted witzel on youthful rage, artistic risk and the decade-long process behind the world premiere (Published on Our Theatre Voice.) Revolution is exhausting. And one week before the world premiere of take rimbaud at Buddies in Bad Times Theatre (in partnership with The Howland Company), the

Originally published for FermataSpettacolo. Anyone arriving in Toronto understands it quickly: this city does not have a single identity so much as a system of coexistences. It is a place shaped by arrivals and renegotiated genealogies. Nearly half of its residents were born outside Canada; the rest descend from British

Originally published for FermataSpettacolo. Some performances ask to be interpreted; others ask to be experienced. Santolini’s Bacchae seems to belong to a third category: work that asks to be accepted, however provocative and challenging it may be. Nudity, blasphemy, games, screams: the show oscillates between ritual and collapse, tenderness

Editorial for Stormi. Traiettorie sulla Stagione, issue 4, 2023 Issued by Piccolo Teatro di Milano ‘There is properly no history; only biography.’ - Ralph Waldo Emerson When we try to put a face to the struggles against racial segregation in 1950s America, many of us likely picture Rosa Parks seated on

Editorial for Stormi. Trajectories on Associate Artists, issue 3, 2022 Issued by Piccolo Teatro di Milano ‘Houses remain silent’ — in Russian Molčat Doma — is the image chosen by the Minsk-based band of the same name to describe its relationship with the city and with the past. One thinks of